This folder includes the recorded audio of the interview along with a transcript of the recording and a photograph of Estelle.
'A Blot on the Landscape'
Estelle and Jane talk about the hostile way in which they were represented in the Press. 'Dirty, rebellious, anarchists, women transgressing the normal female role when they should be at home cooking and looking after their families.' They also reflect on the hostility that the men, left at home, received from other men about letting their wives go off.
Jane tells the story of the secret, well-rehearsed and surprise action in which she and Estelle's mother, Mary, took part. With the women working in twos, Jane stood on Mary's shoulders, reaching up with bolt cutters to slice through the main holding points which caused a huge area of the fence to fall down, taking the soldiers inside by surprise. On being arrested, along with others, she refused to pay the fine of 30 pounds and talks about her experience of serving one week in Holloway Prison.
They both talk about the importance of ensuring that future generations learn of Greenham and that it is possible to make a difference in the world and change Government Policy, if you choose to do so. They said that when the Women of Greenham came together in peaceful and powerful collaboration, they achieved their goal which was to close down the Base to protect the world's children and future generations from the damage of cruise missiles. Together we changed the World.
Estelle and Jane were interviewed by Tricia Grace-Norton in March 2021.
Estelle provided her photograph.

This folder includes the recorded audio of the interview along with a transcript of the recording.
Evelyn's involvement in Greenham started in 1979 when Newbury was informed that missiles would be sited there, and she took an interest through the local Labour Party. She is a Quaker, and speaks of how she distanced herself from confrontation, although she was very involved on moral and ethical grounds. In 1982 Evelyn took part in the Embrace the Base action and goes on to describe RAGE (Ratepayers Against Greenham Encampment) which took unpleasant action against the women such as tearing down the camps and using maggots and blood, resulting in many locals opposing their treatment. She shares her memories of Aldermaston, zapping, changes in the law, and the influence her environmental campaigning has had on her children. Her memories of Cruise Watch include how one woman put a potato down the vertical exhaust of one of the military vehicles, managing to stop the whole convoy!
Evelyn was interviewed by Leslie Lyle in September 2020.

This folder includes the recorded audio of the interview along with a transcript of the recording.
Originally from a military family, Fenja makes no bones about her reasons for coming to camp not being at all political, initially at least. She talks about the importance of being valued to women's development, recounts what it's like to be constantly evicted, the dis-information given to soldiers about the peace women and describes numerous spontaneous actions that infuriated the authorities. Fenja is clear that the legacy of Greenham has informed everything she's done since.
Fenja was interviewed by Sarah Learmonth in 2019.

This folder includes the recorded audio of the interview along with a transcript of the recording and a photograph of Fran.
Fran became known as the woman who invited people for tea in her tipi, immortalised in the photograph of her by Edward Barber sitting in front of a large sign saying 'Hello can you stop for a talk?'
She approached local residents in town as a 'hippy in disguise' to invite them for tea at the camp. Fran was at times a signatory on the bank account, was interviewed many times, and spoke about Greenham at the UN.
Fran was interviewed by Florence Weston in 2019.

This folder includes the recorded audio of the interview along with a transcript of the recording and a photograph of Frankie.
Frankie is a folk singer who has sung professionally in the womenas and peace movements since the 1960s. She talks about how all the women were linked up and like-minded, even when factions developed and how many of those connections have lasted. She recalls her experiences of Greenham as someone without sight, including dealings with police and their horses and of course, the power of song.
Frankie was interviewed by Rebecca Mordan in 2019.
She was photographed by Christine Bradshaw (copyright Christine Bradshaw).

This folder includes the recorded audio of the interview along with a transcript of the recording and a photograph of Hannah.
Hannah was at Blue Gate and starts by describing her time at Greenham as 'Fun. With a capital F. U. N.' She talks about vigilantes, her time in prison, evictions and infiltrations of the camp by one particular journalist. Her overriding memories are of the women she met, how being around women all the time created an experience that was markedly different to the mixed protests she joined afterwards and what made Greenham special to her and why it should be remembered by us all.
Hannah was interviewed by Rebecca Mordan in 2019.
She was photographed by Christine Bradshaw (copyright Christine Bradshaw).

This folder includes the recorded audio of the interview along with a transcript of the recording.
Heather was at Greenham with her sister and remembers it as a time of innocence, where everything was possible. She talks about women being emancipated without even realising it and how the energy of the camp was about 'light, love and humour'. Heather still sings the songs and would love to meet up with other women who were at Blue Gate.
Heather was interviewed by Florence Weston in 2019.